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Handwritten notes regarding dances

File consists of handwritten notes concerning dance collaborations Southam was involved in. Includes "Goblin Market", a scenario by choreographer Christopher House (for which Southam provided the score), and notes relating to "Goblin Market", and notes relating to "Music for Dance" and "Against Sleep".

"Light Lines, Sound Lines" by Ann Southam : [slides and audio cassette tape]

File consists of material relating to "Light Lines/Sound Lines" Includes slides used in the performance, rejects, and extras (probably by artist Vivian Sturdee). The file also includes an audio-cassette tape. One side is labelled "Light Lines/Sound Lines"/Ann Southam, and the other side is labelled "Woman's Dance"/D. McIntosh.

Magazines and publications collected by Ann Southam

File consists of magazines relating to music and musicians collected by Southam. Includes issues of "Musicworks", "Paid My Dues: A Quarterly Journal of Women in Music", "The Music Scene", and "Musics". No reference to Southam was found in any of the magazines.

Music projects: funding and financial information

File consists of material relating to musical projects funded or of interest to Southam. Includes a folder containing information on an opera written by Janet Henshaw Danielson for Vancouver's "Music in the Morning", a contract with the CBC regarding a concert, and invoices regarding Eve Egoyan's "Simple Lines of Enquiry".

Newsclipping relating to Ann Southam

File consists of an interview published in "The Globe and Mail" with Ann Southam by Robert Everett-Green entitled "Ann Southam, a one woman tone poem". The poem is mounted a page of an unknown musical manuscript by Southam.

Poems by Patricia Beatty

File consists of three poems ("Seastill", "For Annabelle", and an untitled one) written by Southam's friend and collaborator Patricia Beatty. The poem for Southam ("For Annabelle"), features a handwritten note.

Programs regarding performances of Ann Southam's work : [1 of 3]

File consists of various programs relating to performances of Southam's work. Some come with attached correspondence regarding the performances. Included are programs for "Dancing the Goddess", "Canadian Women Composers", "Variations", "Encounters", "Purcell Quartet Plus", "Hands Across the Border", "Make-Believe Gardens", "Still in Motion", and "Canadians and Classics".

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