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The fonds consists of photographic images that depict de Grandmaison from the 1910s to the 1980s in several locations. There are also portraits of de Grandmaison with friends and family over a similar time span. The remainder of the photos depict de Grandmaison's sculptures and work studio, including some images of de Grandmaison at work.
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The fonds also consists of textual material that includes a history of the Dournovo family from their time in Russia until their immigration to Canada, other genealogical information, programs from de Grandmaison's shows and unveiling ceremonies of her public works, correspondence (including with prominent figures such as Pierre Trudeau and Peter Lougheed), and legal documents such as de Grandmaison's Russian birth certificate, certificate of Canadian citizenship, and passport.

The records of the Association are extensive and cover the whole of its existence, consisting of financial and administrative records, choreography and history related to dances performed by the troupe, and a large number of photographs.

The records consist of material created through the presentation of performances and celebrating the 10th anniversary of the choir. The records include programs, correspondence, newspaper clippings and audiovisual materials.

The fonds consists of operational files of L'Unithéâtre and its predecessors, Théâtre français d'Edmonton and Boîte à Popicos, including meeting minutes, financial records, project description, and annotated theatrical scripts.

The collection consists of films used in an itinerant picture show that toured through rural Saskatchewan, particularly through Ukrainian communities around Regina, during the 1930s-50s. The films include episodes of popular series such as Tarzan of the Apes, Dick Tracy, Krazy Kat, and Hopalong Cassidy; full-length genre films including Westerns and melodramas; comedy shorts; compilations of trailers for Hollywood features; episodes of Canadian Movietone News for 1950-51; a documentary about Inuit life in the 1940s; and two feature-length Ukrainian films that were made in North America. Both of these films were produced by Ukrainian-Canadian Vasile Avramenko. The first is entitled Cossacks in Exile (Zaporozhets za dunaem) (Edgar L. Ulmer, 1938), while the second is entitled Marusia (Leo Bulgakov, 1938). These films are in the Ukrainian language with English subtitles, were specifically made for the expatriate Ukrainian community in North America, and are rare examples of Ukrainian commercial filmmaking in North America.
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Many of the films are fragments of larger works, but it is unclear if the complete films were ever shown as part of the travelling picture show.
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The collection also contains a poster for Cossacks in Exile and an original cardboard box used to house one of the film reels.

The fonds consists of membership lists for the entire span of the group, newsletters, meeting minutes, registers of dance participants, financial statements, posters, flyers, correspondence, histories, and call sheets.

The newsletters include Buttons and Bows publications as well as publications from the Edmonton District Square Dance Association, the Alberta Square Dance Institute, the Alberta Square and Round Dance Federation, and the Canadian Square Dance Association. There is also correspondence from several of these organizations as well as from other clubs.

The histories were compiled by club members for various club anniversaries and consist of oral histories, recollections, and compendia of articles about club activities.

The photos are in albums arranged chronologically with all of the subjects meticulously identified. The badges were collected by club members from various dance that they attended, sister clubs, dance associations, and special events. The badges are arranged in polyethylene sleeves.