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Fonds consists of photographic business records of professional photographer Bill Gibbons in three series: I. Commercial black and white series, ca.1945-ca.1958, ca.5400 photographs; II. Canadian Rockies colour series, ca.1945-ca.1990, predominant ca.1966-ca.1972, ca.8000 photographs; III. Other black and white series, ca. 1947, 4 photographs. I. Commercial black and white series consists of six sub-series: A. Portraits and documentary views, 1945-1950, 2437 negatives (individual and group portraits, weddings, conferences, events, buildings, facilities and places; Banff and area); B. Banff School of Fine Arts, ca.1949, 277 negatives (privately produced views of classes, group portraits, activities, buildings and facilities); C. "S" sub-series, ca.1950, 1220 negatives (scenic views in the vicinity of Banff, Lake Louise, Banff-Jasper Highway, Jasper National Park, Radium and Columbia Valley, British Columbia and Pacific Coast, First Nations views); D. "T" sub-series, ca.1950, 482 negatives (scenic and commercial views, mainly Jasper, Banff-Jasper Highway and Lake Louise areas); E. Rolliflex and panorama negatives, 1949-1958, 584 negatives (Banff Winter Carnival, Banff School of Fine Arts, and Banff and area); F. Other, ca.1945-1951, 364 items (material similar to that in other series, some unidentified). Accompanied by small number of prints and postcards; also, publication: "Photographing the Canadian Rockies" by Bill J. L. Gibbons, 1948. II. Canadian Rockies colour series consists of four sub-series: A. CR1 to CR84, ca.1966-ca.1972, ca.260 prints; B. CR1 to CR443, ca.1966-ca.1972, ca.5130 photographs; C. CR35-2 to CR35-81, ca.1966-ca.1972, ca.2310 photographs; D. Other photographs, ca.1945-ca.1990. Series consists primarily of commercial colour negatives and corresponding proof prints pertaining to Banff, Jasper and Yoho National Parks, also some transparencies and oversize display prints. III. Other black and white series. Series consists of 2 black and white prints of crash landing at Sunshine with Al Gaetz and Dick Pike, 1947 and two copy negatives with prints of Bruno Engler and Ella Mae Gibbons, ca.1947. Textual records are record book, 1945-1953, 62 p; and book layout.